Casualty of the Loudness Wars – Metallica’s Death Magnetic

October 10, 2008 by Dave Kay



Opinions on the artistic merits of Metallica's new release are somewhat divided, but everyone can agree on one thing, the mix of the retail version sounds absolutely horrible. Blame the "loudness wars" for that, and send your hate mail to the mixing engineers rather than mastering engineer Ted Jensen, who claims that he received the album for mastering already in its "brick walled" state. Jensen was quoted as saying: "Suffice to say I would never be pushed to overdrive things as far as they are here. Believe me, I'm not proud to be associated with this one, and we can only hope that some good will come from this in some form of backlash against volume above all else." A Youtube video has been made showing the dynamic contrasts between the CD and Guitar Hero versions.



The loudness wars have been raging in the popular music industry since the late '80s. The push has been to make each new release (or re-mix of a previous release) as loud as absolutely possible, which results in distortion, limited dynamic range, and clipping of the waveform - all of which are evident on Death Magnetic. So far, more than 2,700 fans have signed a petition calling for the album to be re-mixed properly. Fortunately, fans don't have to wait for a re-release, as it's been discovered that the Guitar Hero downloadable version of the album doesn't suffer from the horrible compression of the CD version, and is actually 10dB quieter. In an ironic turn of events, the best quality version of Death Magnetic currently available is the FLAC version digitally ripped from Guitar Hero, available via P2P download.

Doodaddy 1 year and 5 months ago

Yet another reason for me to not even think about buying that album.
Dave Kay 1 year and 5 months ago

Hahaha. "Opinions are divided" was the most cordial way I could think of to say that the album pretty much sucks. Is it better than St. Anger? Of course, but that's like saying getting stabbed in the leg is better than getting shot in the face.

Even though I have no interest in the album, the fact that such a high profile release was bungled so badly production wise that it's getting this much attention I hope leads the industry to rethink these practices. Attention music industry: if you want people to continue to buy your wares, put the damn dynamic range back in, and make music enjoyable to listen to.
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